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Harmonic Interference Theory is a new theory of music perception based in the physics and physiology of harmonics. Beginning with an examination of the origins and history of music theory, Harmonic Interference Theory explains how harmonics combine to form coherent geometrical patterns that our auditory system recognizes as simple shapes. Using a spectral analysis of harmonic interference over an octave, the author shows how reflective patterns on vibrated surfaces can be found in the growth patterns of the human anatomy, particularly our ears and brain. From this simple correspondence, perception of music can be explained as a natural process of anticipating and matching harmonic interference patterns against identical structures in our auditory system. When represented visually, music becomes geometry floating thru a harmonically structured space.
This is only the beginning. The author goes further to show how everything in nature can be described using harmonic principles. Drawing on the latest scientific research and cutting-edge theories in the fields of genetics, quantum physics and cosmology, a unified harmonic model is proposed for the study of coherence on both a micro and macro scale. Out of this emerges a grand scientific musical theory that reintegrates ancient harmonic science with quantum physics to explore the deeper mysteries neither can answer alone.