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Harmonic
Interference Theory represents a major
breakthrough in our understanding of music and perception.
Triggered by a moment of insight thirty years earlier, this
theory explains how harmonics combine to form coherent
geometrical patterns that our auditory system recognizes as
simple shapes.
Using a spectral analysis of harmonic interference over an
octave, the author shows how reflective patterns on
vibrated surfaces can be found in the growth patterns of
the human anatomy, particularly our ears and brain. From
this simple correspondence, perception of music is then
explained as the natural process of anticipating and
matching harmonic interference patterns against identical
structures in our auditory system. When represented
visually, music becomes organic geometries floating inside
a harmonically structured space - exactly as our ears and
brain understand it.
But this is only the beginning. The author goes much
further to show how everything in nature can be described
as crystallized harmonics. Drawing on the latest scientific
research and cutting-edge theories in the fields of
genetics, quantum physics and cosmology, a unified harmonic
model is proposed for the study of coherence on both a
micro and macro scale. Out of this emerges a grand
scientific musical theory that reintegrates ancient
harmonic science with quantum physics to explore the deeper
mysteries neither can answer alone.
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